Artists on Mitchell: Julie Mehretu
Mitchell's work has always been there for me, since I was a young artist. She's always been this kind of giant of abstraction to me.
I didn't realize that she grew up so much around poetry, and I think it’s really interesting that her paintings look a lot like the written page. To me, they feel that way—the marks—even though she doesn't work on the multi-panel paintings at the same time. You feel like there's this writing across the page or this kind of pushing around, when she's thinking about the structure of something. Even the brush she uses, it's like a writer who doesn't change the pen very often. They're very similar shaped brushes across the surface of a painting.

Mitchell’s early paintings—like the cityscape paintings—have been so important to me. But then I walked into David Zwirner Gallery [in 2022] and I saw the later paintings. I remember a big yellow painting, I think it's a diptych. I was just astounded by it. And I sat there for a really long time in the gallery looking at that painting.

Julie Mehretu is an artist based in New York and Berlin. She was a 2003 recipient of the Joan Mitchell Foundation Painters & Sculptors Grant. This text is adapted from David Zwirner’s Dialogues podcast: “Joan Mitchell at 100 with Julie Mehretu and Eileen Myles.”